Simon and Lippman share a lighter moment in the couple's Baltimore office. I remember I gave you a chapter of Every Secret Thing, and it’s the one where Ronnie hitchhikes home and is I’m not sure I’m down with that predator-prey thing. Or as I explained it one time: The prey has to know more about the predator than the predator has to know about I think women are obliged to pay attention to the whole of humanity a lot You’re more of the world and more of the interpersonal. My favorite was when Channing Tatum invited us to his house for a party, and you’re like, ‘Who’s Channing Tatum?’ I’ve dined out on that I’m always asking the names of actors and actresses. You have very little interest in pop culture in terms of who’s Talk about why that person did what they did, that topic is just not interesting to you. You are as profoundly uninterested in gossip as any person I’ve ever known. Your way back out to what you want the themes of the book to be. The sociology or economics or politics of systems, and then I would actually end up meeting real people. You’ve carved out Baltimore County in eight stand-alone in a way I’ve never gotten near. And I am very much writing about Baltimore. I had to learn the hard way that there wasn’t a formula. I was really following what my friend thought wasĪ formula. So, it’s 1993 when I started a very early draft of what became the first novel, Baltimore Blues. How hard could it be?’ That really stuck in my head. I had a co-worker back at The San Antonio Light who one day said, ‘Do you know who has a good gig? You started going out with someone who did not have a job. I would like to have it on the record that you were actually unemployed when we started dating. Year before you filmed the pilot for The Wire. I mean, we didn’t really get to know each other until. You thought you’d be at The Washington Post or The New York Times. I was eventually going to go back to newspapers. I didn’t even think I was going to do TV for any length of time. That’s the thing that I can’t convince anybody of now, retrospectively. Baltimore was the place you happened to be. The WireĬould have been in so many cities of a certain size and a certain nature. There’s this perception that The Wire is about Baltimore. Especially has moved so far beyond Baltimore. We can both have careers without there being crime inīaltimore. But at the same time, I think we’veĪlways been citizens first. I guess there’s a perception that we’ve made our living off of homicide in Baltimore, and it’s not entirely inaccurate. They started by discussing the uptick in homicides in the wake of the Freddie Pet fish), they sat down in the anteroom outside Lippman’s office to talk. Little show called The Wire somewhere in there.) The day before their daughter’s fifth birthday (Lippman ran out after our interview to buy a Starting in the ’90s with Homicide: Life on the Street and continuing today with the new HBO miniseries Show Me a Hero. Reporters, Lippman has published 21 best-selling crime novels (all set in Baltimore) and Simon is known for co-creating acclaimed television programs, In addition to David’s expertise in finding the best market solutions for his tenants and investors, his unique understanding of the media and entertainment space has led him to develop some of the most high-profile projects in the Hollywood market.If Baltimore has such a thing as a showbiz power couple, Laura Lippman and David Simon are surely it. His projects have been recognized by the Urban Land Institute, the Los Angeles Conservancy and the Southern California Development Forum. By recognizing underlying fundamentals that are not always apparent to competitors, he has opened doors to many successful projects in Southern California and was one of the key catalysts for the commercial office explosion in Hollywood, California. Fueled by his acute vision and foresight, David excels at identifying markets that are ripe for growth. Through his thoughtful and innovative redevelopment strategies, David consistently creates value in the commercial real estate space, focusing on top-tier markets in gateway west coast cities. He’s spent the past 15 years specializing in creative office development and redevelopment that prioritizes user experience by incorporating a strong sense of hospitality, design and attention to detail. Forward thinking in his endeavors, David places a great deal of consideration into the environments he develops and is passionate about creating spaces where users feel inspired, collaborative and more productive.
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